This interview is an excerpt taken from Creating Musical Theatre: Conversations with Broadway Directors and Choreographers (2013), by Lyn Cramer. It's available now with 10% off the RRP.
CRAMER: I want to ask you about choreographic approach. You talk about … more
Some theatres begin casting earlier than two months before the beginning of rehearsals, particularly if the casting involves looking for very experienced actors or ‘names’. Some directors are still casting the week before rehearsals, which is not ideal, but two months before rehearsals is a … more
Annabel Arden (born 1959) is a director, actress and co-founder of the company Complicite in 1983. Her career as an independent director encompasses theatre, opera and broadcasting as well as devising new work. She has directed for Opera North, The English National Opera, The Royal National … more
Keith Johnstone was Associate Artistic Director at the Royal Court Theatre in the late 1950s, helping in particular to run the Writer's Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio, then … more
The rehearsal room is where all the director’s preparatory hard work pays off and is their opportunity to experiment with and explore the text using their skill and creativity, together with that of their actors. Some directors have a particular style or method of working, utilising the theories … more